khaghani and bohtori’s nostalgic view to the ivan madaen

nostalgia is a summary of bitter and sweet inner sense to individuals, past, occasions, hometown or country, utopia and hidden inner wishes. in psychological view, this sense is a result of mental remen berance or idealism, and for several reason such as to be far away from hometown, immigration, failure in personal life, mourning of the friends' loss, loss of golden situation, listening to music, gazing remnants and past generation works, aging and physical decline, occur in the inner sight of individual that is out of authority of individual. since literature is manifestation of human's pure emotions and feelings, this unconscious sense has special sight in literary text and undoubtedly it is more clear in some literary text for special reasons. for instance we can point the samples such as: ivan madaen, majestic and luxurious place of sasanid period which became wreckage over time that was effective in nostalgia sense in bohtori (arabic poet of third century) and khaghni (persian poet of sixth century). both arab and persian poet after gazing remnants of this palace with exemplary view from nostalgia sense, they felt sorry about glorious period of palace and its lords; they sighed to present loneliness with mental remembrance about past generation and past golden occasions and they protested to the present while the time is going on. so, this article is to clear and bold it's nostalgic components. besides how much both mentioned poets could reflect it in there poems. word, image, color, allegorical and national-religious hints, allusion with implicit meaning, the type of used sentences in second goals are most important lingual components that come from this unconscious sense in bohtori and khaghani's odes that have been analyzed in this article